Patched by Jackie Partridge

Patched by Jackie Partridge has been an ongoing installation and photography project since 2017 where map paper (made from maps of places I have been to) is embedded into trees where the bark naturally peels away as an act of offering or mending.

Watch the Patched Installation

I have done these installations in various places I have lived and travelled including:

• Rosendale, New York

• Johnson, Vermont

• Waterloo Region

• Kinmount

• Huntsville

• Gravenhurst 

Recent Patched Installations

Patched is installed in Regency Park in Waterloo, ON for the month of July, 2021.

You can see more about this project funded by the City of Waterloo and Create Waterloo - here!

With this funding I also created free seed starter kits - you can see the instructions for the kits- here.

Here is a photo from the installation:

In 2018, I was awarded a grant from the Region of Waterloo Arts Fund to create my book Patched which included nature poems about trees and my series of Patched as coloured photographs.

You can purchase Patched by Jackie Partridge - by clicking on the product or heading to my shop!

Patched - Collection of Poems and Photographs (Hardcover Book)

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In the summer of 2019, I created a large-scale installation of Patched on a tree on my grandmother’s property in Kinmount, ON.

Patched by Jackie Partridge Video of Installation (Sped Up):

I created a large sheet of map paper on a vacuum table that sucks out the water from the pulp on my artist residency in 2018 and the Women’s Studio Workshop in Rosendale, New York. I then used a spray bottle of water to dampen the paper and turn it back into to pulp to apply it onto the tree.

To see more from the project click here!

Connect with me on social media by clicking one of the icons below! 

On my instagram @jackiepartridge_ I share photos from this series that can be found searching the hashtag #patchedproject.

Palette Knife Painting Tutorial

A  Palette Knife Painting Tutorial is the best way to learn palette knife painting quickly. You can watch my palette knife painting playlist on YouTube to see my palette knife painting tips! 

Check out these palette knife painting tutorials on my YouTube channel below: 

Palette Knife Painting Tips - In this short video I show you the difference between plastic and metal palette knives. I show you the basics of painting with palette knives and share my palette knife painting tips with you! 

 Palette Knife Painting Clouds- In this painting tutorial I show you how to paint a sky and clouds with a palette knife. This is an essential step to painting a successful landscape with a palette knife! 

Palette Knife Painting Farmhouse Pumpkin- Paint this cute farmhouse style pumpkin painting is perfect to hang in your home for fall! Learn how to paint a textured background with a palette knife! 

Abstract pumpkin painting by Jackie Partridge. Watch this palette knife painting tutorial!

Palette Knife Painting Winter Landscape (EASY)- Learn to paint snow with a palette knife and create wonderful texture - check out this easy landscape painting to try painting with both a brush and a palette knife! 

Palette Knife River Landscape Painting - Learn how to paint a sky, a river and some grass all with a palette knife!

Palette Knife Sunset Painting Easy- Learn to paint a sunset, clouds and water reflection by painting with a palette knife!

Here are some Palette Knife Painting Tips!

• Invest in different sizes and shapes of palette knives. I love my Liquitex painting knives and metal palette knives! 

• Experiment and practice first - try painting with a palette knife on a canvas board or thick paper to practice before starting on a canvas 

• Watch my palette knife painting tips video if you are completely new to palette knife painting - It’s a lot easier to learn by watching! 

• Try dabbing, scraping and dragging the palette knife on different edges to create different marks 

• Wash and dry your palette knife after use to keep it in great condition for years to come! 

Try this palette knife painting tutorial of an abstract sunset by Jackie Partridge -here!

I love palette knife painting because it creates such a fun abstract texture with the paint. I love the look of abstract painting and the freedom it gives me to paint in a more relaxed manner!

I am constantly updating my YouTube channel - be sure to subscribe to my channel to see when new videos come out - you can do that here! 

If you want to improve your acrylic painting - download my FREE guide where I show you the 10 common mistakes beginner painters make and how to avoid them! Click the button below!

Hope these tips are helpful! Happy Painting!

Related Articles

3 Steps to Painting a Better Landscape

Paint Better Landscapes by Painting Better Clouds

Learn Colour Mixing

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Clouds Installation

Clouds is an installation of 150 found  doilies by Jackie Partridge that have been embedded with poured abaca pulp. This installation was created in 2016 while I was studying my Master of Fine Arts at Concordia University in Montreal.

I experimented with this installation by testing out different lighting and playing with different perspectives and camera angles when documenting this installation. This installation took over 4 hours to complete. 

Next time I would present this work I would create pillows on the floor to invite viewers to lay down and look up at the clouds. 

I created this work with found doilies and I poured on abace pulp. I placed the doilies in the paper press to squeeze out the extra water. Then I let them dry flat for 24 hours. I hung the doilies with different lengths of thread attached to rods on the ceiling. I would love to continue to create thousands of these and hang them in a larger venue. 

Doilies are a symbol of history and domesticity. I see them as floating ghosts of all the grandmothers I grew up with when I was younger. When I was born I had 8 grandmothers including great-grandmothers and great-great grandmothers. Each doily is special and unique. Some are colourful and others are plain. Some are intricate and detailed and some are simple and plain.

The floating doilies were hung with thread cut at various lengths to look like floating clouds in the sky.

These are made with vintage doilies collected from thrift stores, garage sales and my grandmothers.

There are still pieces available from this installation in my art shop - you can check them out here! 

These vintage crochet doilies look beautiful framed in a white or wooden frame! 

Daffodil

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Winding Road- Art Installation by Jackie Partridge

Winding Road -art installation from 2016 completed in Montreal by artist Jackie Partridge. Here is an art installation from my archive. Winding Road is an art installation from 2016. It is made from Mylar, ink, and thread. It measures 18’x 3.’ I made this work while completing my MFA at Concordia university in Montreal, QC.

I loved using ink and seeing how it pooled to dry making interesting overlapping line drawings. This artwork was inspired by driving along the countryside and looking out the window. This work later turned into an art book - you can see that here!

I chose to paint and draw on a frosted mylar because I like how it looks foggy and isn’t fully transparent. It has a really nice effect when it is backlit with lights in an art exhibition. 

I later turned these paintings into Fielding Through and Field of Green. For the work Fielding Through I sewed some of these pieces together using white thread and my sewing machine to create an accordion style book that was able to stretch and pull a part. For Field of Green some of the larger pieces were hung on the wall behind the sheet curtain of painted fabric. 

As an artist, I often rework my artwork to add to it or to morph it into new artwork or installations. I like that art is able to change and evolve over time. By taking a look at my current artwork below you will be able to see some similarities between pieces as art is inspired by previous pieces.

To see my current art practice -click here!

Winding Road ink on mylar installation by Jackie Partridge

Detail of Winding Road by Jackie Partridge

Related Articles and Artwork

Fielding Through - inspired by this piece

Field of Green -inspired by this piece

See my current art here!

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1963-1974- Artwork by Jackie Partridge

This is an older work from 2015 called 1963-1974 by Jackie Partridge. The artwork is less than 2’ by 2’.  I completed this artwork during my undergraduate degree at Lakehead University. I created it as part of my art portfolio when I was applying to my Master of Fine Arts at Concordia University in the Fibres and Material Practices Program. 

Polaroids and machine sewing - form a patchwork quilt of memories with old family photos. The photographs are arranged by colour to help the chevron pattern emerge. My grandmother was sorting through family photos and gave me a collection of photographs. I asked if I could cut them and turn them into an artwork and she said yes. There’s something weird about cutting up family photographs and replacing a part of them to form a new memory. I sewed the photographs with a zig zag stitch on my sewing machine in white thread.

Polaroids are such a nostalgic medium and have become trendy again. Working with this medium of found Polaroids really speaks to the time period and the moment that captured the photograph. I love the colours from the pictures and how they have faded over time. Some of the photographs even have my grandmother’s handwriting on the bottom of them. 

I am very interested in quilts, sewing and textile art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. The craft of quilting and sewing are very important to my family heritage and to myself. 

You can see the detail of 1963-1974 below!

You can see my current art by clicking here!

Sewn Polaroids by Jackie Partridge

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Conceal - Art Installation by Jackie Partridge

Conceal is a project that was inspired my a previous work Trapped this work is from 2017 by artist Jackie Partridge.  In the installation below I use the same hand dyed and hand embroidered dishcloth quilt from Trapped. The dishcloth quilt is made to resemble an aerial view of farmlands. Farming runs in my family as both sets of grandparents and great-grandparents owned farms. I grew up in Wellesley, Ontario, a small town surrounded by farmlands. I watched the land over time develop into subdivision after subdivision. This artwork became symbolic for concealing or covering, protecting and hiding the land. The dishcloths are dyed with inks and acrylic fluids with bright colours of greens, browns, yellows, oranges and pinks to represent the colours and beauty of farm fields. I really wanted to highlight the beauty and vibrancy of the landscape.

I am interested in quilts and fibre art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. So the craft of embroidery and sewing are very important to my family heritage. 

With my art practice I often reuse elements and photograph different artwork outside to change and transform the context of the work itself. I see my art evolving and transforming through time similar to how the landscape is in a constant state of change.

This quilt inspired artwork is draped over rocks at my grandmother’s house in Kinmount, ON. Their property is a special place where I enjoy spending my summer. I find being in nature to be a very inspiring place for my work and me as an artist. Photographed by me in summer 2017.

I see the quilt as a symbol of protection, warmth and comfort. Like most quilts are. 

You can see my current art practice here!

Shop for handmade art -here

Follow me on social media @jackiepartridge_ to see current artwork and to hear about upcoming art exhibitions. 

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Sediment -Art Installation by Jackie Partridge

Sediment art installation by Jackie Partridge was started in 2017. I started paper making in 2015 where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes look at a current project and learn about the process of paper making below!

Sediment is an ongoing art installation since 2017 where I form sheets of handmade paper with blue jeans from my grandfather. Currently there are about 300 pieces of handmade paper.

My grandfather is a retired farmer who sold the family owned century farm in 2012.

The paper acts as a memory and are stacked on the floor like waves in the water.

This piece is inspired by the artwork Remnants that also used old farming clothes belonging to my grandfather.

Learn how to make paper out of denim here! This explains the process for making this artwork.

In order to make the denim paper the blue jeans must be collected rinsed with water and cut into tiny 1”x1” squares. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

The paper making process- denim pulp

After the pulp is beaten down to tiny threads (taking around 4 hours or longer) The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper.

This is the mould and deckle used to create the circle sheets of paper

Marbled Denim Paper

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I invite you to take a look at the handmade paper I sell in my shop. Check out my beautiful handmade paper art here!

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Pocket Full of Sunshine

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Trapped -Art Installation by Jackie Partridge

Trapped is an art installation from 2016 by Jackie Partridge that I completed during my MFA. In this installation I hand dyed and hand embroidered dishcloths and sewed them together as a large quilt. I want the quilt to be seen as an aerial view of farmlands. 

Above the quilt drapes a large sewn thread installation -made from white thread. The sewn piece is stitched on a dissolvable surface. The sewn structure mimics that shape of my hometown as viewed from a map and inside the shape are rows and rows of a basic symbol of a house shape. 

To see my current art - click here!

View the art project Conceal- inspired by this piece!

Detail of sewn net, part of Trapped installation by Jackie Partridge

You can view my current art by following me on social media. Click any of the icons below!

Patched Ebook

Patched Ebook is a digital version of Jackie Partridge Patched Book. Patched was published in 2018 with the Region of Waterloo Arts Fund. It is a book of 38 pages- a collection of images colour printed of trees around Waterloo Region that have been altered by adding map paper pulp in areas where the bark has naturally peeled away.

In addition to the photographs in my book- there are a series of nature appreciation poems. I began completing this ongoing series of photography during my Master of Fine Arts at Concordia University while I was in the Fibres and Material Practices Program. I was living in Montreal and visited a nearby park often as it reminded me of home. Being in nature and walking in the woods was very meditative and calming for me. I began to really notice the trees and how the bark naturally peeled away exposing them. Since I was interested in paper making I started to add map paper pulp of recycled maps of places I have been onto the trees where the bark was naturally gone and saw this as a poetic form of mending or an offering back to the tree. 

 At the back of the book I have included information about my art process. To see more about this Patched series - click here!

Patched - Collection of Poems and Photographs (Ebook)

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Patched installation using handmade map paper by Jackie Partridge

I sell my published hard cover book for $50. And I sell my ebook for $9.99. The Ebook is a digital PDF version of my hardcover book.

Head to this link to see my hardcover book!

Take a Look at my Ebook here!

Check out my Instagram by clicking the icon below and search the #patchedproject to see photos from this series!

Patched - Collection of Poems and Photographs (Hardcover Book)

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Field of Green - Art Installation by Jackie Partridge

Field of Green by Jackie Partridge

Photo Credit: Eliane Excoffier

Field of Green, ink and acrylic fluids on polyester with ink on Mylar, 2016 - by Jackie Partridge

The piece is approximately 19 feet long. The piece has sewn in magnets and it suspends slightly away from the wall resting on nails. I’m happy with how this installation turned out as it was quite complicated to plan and ensure that the fabric and magnets were evenly placed. It was difficult to install Field of Green. I completed this large and colourful artwork during my Master of Fine Arts at Concordia University while I was in the Fibres and Material Practices Program. 

I love using Golden Acrylic Fluids because there is less of a water concentration and it is more of a pure pigment so the colours are a lot more bright and vibrant. I started painting with inks on sheer, transparent fabric during my undergraduate degree at Lakehead University. I started painting on mylar which is a transparent plastic type paper during my Master of Fine Arts degree at Concordia University. I like the way the colours dry and layer on top of each other creating rings of colour and interesting lines.

When the ink is applied to the polyester it creates these abstract and organic forms. Layer after layer is applied. I love playing with transparency and layers and being able to see the painted mylar underneath the layer of sheer fabric. 

This artwork is inspired by my family heritage of farming and the countryside surrounding my hometown in Wellesley, ON. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm. The bright colours chosen highlight the beauty of the landscape and the vastness of the farmland that surrounds my hometown and where I grew up.

To check out my art shop to purchase art -click here!

To see my current artwork click here!

Detail of Field of Green by Jackie Partridge

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Related Artwork and Articles

Fielding Through - a book inspired by this artwork

Winding Road- inspired by this work

Why I became an artist

Fielding Through- Painted Drawing with Ink by Jackie Partridge

Fielding Through by Jackie Partridge

22’x12,”  ink and acrylic fluids on Mylar, 2016

Fielding Through is an accordion style book that stretches out creating a long continuous 22' field. Each drawing of the field is painted abstractly with coloured ink and fluid acrylics by Golden. The work was inspired by my hometown Wellesley, ON and the continuous views of farmlands that blur as the car drives past all the fields.

This artwork is inspired by my family heritage of farming. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm. This piece highlights the beauty of the landscape and how expansive it is. I chose bright and vibrant colours to highlight the beauty. Fields, nature and landscapes are common inspiration for my artwork and art installations.

I love using Golden Acrylic Fluids because there is less of a water concentration and it is more of a pure pigment so the colours are a lot more bright and vibrant. I started painting with inks on sheer, transparent fabric during my undergraduate degree at Lakehead University. I started painting on mylar which is a transparent plastic type paper during my Master of Fine Arts degree at Concordia University. I like the way the colours dry and layer on top of each other creating rings of colour and interesting lines. Since the mylar paper is transparent you can also see layers of the coloured washes from the previous pages in the book. 

This piece is inspired by my work Field of Green, which is a large painted field on sheer white fabric with painted fields on large sheets of mylar that are pinned to the wall. The fabric drapes away from the wall. 

Follow me on Instagram @jackiepartridge_ to see my current artwork. 

Check out my art shop to purchase my art here!

To see current work -check it out here! Follow me on Social Media by clicking on one of the icons below to stay connected!

Related Artwork and Articles

Field of Green- large ink on fabric -similar to this work! or Winding Road -based off of this piece!

Why I became an artist

10 Lessons I Learned in Art School

Purchase art in my shop

A Needle in a Haystack - Textile Art Installation by Jackie Partridge

A Needle in a Haystack by Jackie Partridge

wall piece: 4.5'x 4 floor piece 3.3'x 3', found fabric, sewing, 2015-2016

Braided strips of found fabric create an abstracted hay bale referencing the traditional rag rug. The two hay bales are attached together with a long braid like umbilical cord connecting generations.  This textile artwork was created by Jackie Partridge in 2015-2016 while I was completing my MFA at Concordia University.

This artwork is inspired by my family heritage of farming and my matriarchal line. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm.

Growing up, I had 8 grandmothers including great-grandmothers and great-great grandmothers. My matriarchal line was very skilled in sewing, embroidery, knitting and crochet which really inspired me to pursue textile art and study it during my MFA.

This is a piece of past artwork from the archive. To see my current artwork - click here!

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Other Art You Might Like/Related Articles

Trail- 20 foot arm-knitted lace textile art installation

Trapped- textile art installation with hand dyed and hand embroidered dish cloths

Why I became an artist

Birds Adapted: for Flight or Fancy - Juried Exhibition 2019

For the fall,  I will be participating in a group art exhibition curated by Teresa Seaton at the Teresa Seaton Gallery in Burlington, Ontario. You can see the details of the exhibition as well as my art in the exhibition’s catalogue below. See artwork from myself - Jackie Partridge and other local artists

Birds Adapted: for Flight or Fancy is a juried exhibition I am a part of that is at the Teresa Seaton Gallery in Burlington, ON from Aug. 14-Oct. 26, 2019.

Here is a page about my installation Nestled that was a part of the group exhibition catalogue.

In this exhibition I am displaying my installation Nestled made from twisted map paper to resemble a nest or a home. I have exhibited Nestled before on the floor. This will be the first time exhibiting Nestled up high. I was excited to present the artwork this way because I think it will look more like a nest. This piece is very textured as strands of twisted map paper interweave together. What I like about this piece is that it can transform depending where it is installed. I can keep twisting map paper and add to the size of this artwork. I will have some pieces of map paper on the floor as well to invite viewers to look up. This installation is also related to the installation Precariously Perched where I have strands of twisted maps that balance on tiny pins and nails, resting in a fragile state against the wall. 

In my art practice, I love working with the same materials and reworking them to make new art installations. 

To learn more about this project you can take a look at it here!

To see current artwork - click here!

Here is a page about my installation Nestled that was a part of the group exhibition catalogue.

To check out my other artwork -click here!

Follow me on social media by clicking one of the icons below to stay connected and learn about future art exhibitions and art news! If you see my art at exhibitions please use the hashtag #jackiepartridge so I can see it too.