Patched by Jackie Partridge

Patched by Jackie Partridge has been an ongoing installation and photography project since 2017 where map paper (made from maps of places I have been to) is embedded into trees where the bark naturally peels away as an act of offering or mending.

Watch the Patched Installation

Patched by Jackie Partridge, map paper on a tree art installation

I have done these installations in various places I have lived and travelled including:

  • Rosendale, New York

  • Johnson, Vermont

  • Waterloo Region

  • Kinmount

  • Huntsville

  • Gravenhurst 

Recent Patched Installations

Patched is installed in Regency Park in Waterloo, ON for the month of July, 2021.

You can see more about this project funded by the City of Waterloo and Create Waterloo - here!

With this funding I also created free seed starter kits - you can see the instructions for the kits- here.

Here is a photo from the installation:

Patched, Jackie Partridge, handmade map paper on tree


In 2018, I was awarded a grant from the Region of Waterloo Arts Fund to create my book Patched which included nature poems about trees and my series of Patched as coloured photographs.

You can purchase Patched by Jackie Partridge - by clicking on the product or heading to my shop!

In the summer of 2019, I created a large-scale installation of Patched on a tree on my grandmother’s property in Kinmount, ON.


Patched by Jackie Partridge Video of Installation (Sped Up):



I created a large sheet of map paper on a vacuum table that sucks out the water from the pulp on my artist residency in 2018 and the Women’s Studio Workshop in Rosendale, New York. I then used a spray bottle of water to dampen the paper and turn it back into to pulp to apply it onto the tree.


To see more from the project click here!


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On my instagram @jackiepartridge_ I share photos from this series that can be found searching the hashtag #patchedproject.

Patched, Jackie Partridge, outdoor photography art installation

Clouds Installation

Clouds is an installation of 150 found  doilies by Jackie Partridge that have been embedded with poured abaca pulp. This installation was created in 2016 while I was studying my Master of Fine Arts at Concordia University in Montreal.

I experimented with this installation by testing out different lighting and playing with different perspectives and camera angles when documenting this installation. This installation took over 4 hours to complete. 

Next time I would present this work I would create pillows on the floor to invite viewers to lay down and look up at the clouds. 

I created this work with found doilies and I poured on abace pulp. I placed the doilies in the paper press to squeeze out the extra water. Then I let them dry flat for 24 hours. I hung the doilies with different lengths of thread attached to rods on the ceiling. I would love to continue to create thousands of these and hang them in a larger venue. 

Doilies are a symbol of history and domesticity. I see them as floating ghosts of all the grandmothers I grew up with when I was younger. When I was born I had 8 grandmothers including great-grandmothers and great-great grandmothers. Each doily is special and unique. Some are colourful and others are plain. Some are intricate and detailed and some are simple and plain.


The floating doilies were hung with thread cut at various lengths to look like floating clouds in the sky.



These are made with vintage doilies collected from thrift stores, garage sales and my grandmothers.



There are still pieces available from this installation in my art shop - you can check them out here! 


These vintage crochet doilies look beautiful framed in a white or wooden frame! 

Daffodil
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Check out my shop to purchase any doilies!

To see my current artwork- click here!

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Winding Road- Art Installation by Jackie Partridge

Winding Road -art installation from 2016 completed in Montreal by artist Jackie Partridge. Here is an art installation from my archive. Winding Road is an art installation from 2016. It is made from Mylar, ink, and thread. It measures 18’x 3.’ I made this work while completing my MFA at Concordia university in Montreal, QC.

I loved using ink and seeing how it pooled to dry making interesting overlapping line drawings. This artwork was inspired by driving along the countryside and looking out the window. This work later turned into an art book - you can see that here!

I chose to paint and draw on a frosted mylar because I like how it looks foggy and isn’t fully transparent. It has a really nice effect when it is backlit with lights in an art exhibition. 

I later turned these paintings into Fielding Through and Field of Green. For the work Fielding Through I sewed some of these pieces together using white thread and my sewing machine to create an accordion style book that was able to stretch and pull a part. For Field of Green some of the larger pieces were hung on the wall behind the sheet curtain of painted fabric. 

As an artist, I often rework my artwork to add to it or to morph it into new artwork or installations. I like that art is able to change and evolve over time. By taking a look at my current artwork below you will be able to see some similarities between pieces as art is inspired by previous pieces.

To see my current art practice -click here!

Winding Road ink on mylar installation by Jackie Partridge

Winding Road ink on mylar installation by Jackie Partridge

Detail of Winding Road by Jackie Partridge

Detail of Winding Road by Jackie Partridge

Related Articles and Artwork

Fielding Through - inspired by this piece

Field of Green -inspired by this piece

See my current art here!

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Fields -Mirror Installation by Jackie Partridge

Fields is made from colourful sewn thread and flax handmade paper. It measures 18’x 3.5.’ I made this work in 2015 while completing my MFA at Concordia university in Montreal, QC. 

I created this artwork by sewing on a dissolvable fabric and layering different colours of thread. Sometimes, I would have a different colour in the bobbin and a different colour in the tread. I sewed in a back and forth manner to resemble the repetitive motion of planting and harvesting crops in fields. After sewing, I dissolved the fabric and took the pieces to the paper making studio where I squeezed flax pulp through a tube in patches of the sewing. Once I was done applying the pulp I put the artwork through the paper press to squeeze out excess water as part of the paper making process. Then I let the artwork dry flat; it took about 24 hours to dry. There are about 10 separate panels of this artwork in total. 

The pieces of this art installation are quite delicate and fragile. I suspended them with thread that tied onto the individual pieces. 

Usually this installation is hung against the wall but in this installation from 2017, I got to hang this textile artwork in front of the mirror. I loved how the thread was reflected and looked like a long continuous line drawing. When the artwork hangs against the wall it does create some really beautiful shadows.I would love to add to this piece and make it larger in the future. 

You can see the original installation of this piece - here!

Jackie Partridge and Fields thread with handmade paper installation
Detail of Fields installation

Detail of Fields installation

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Paper Making with Recycled Blue Jeans

Paper making with recycled blue jeans is a time consuming process but it also a rewarding process. I love being sustainable in my art practice and using recycled blue jeans to make paper is exciting! I will show you how to make paper with recycled blue jeans in this post! I started paper making in 2015, where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes about the process of paper making below!

How to Make Paper Out of Recycled Blue Jeans -What You Need

  • a hollander beater

  • water

  • a vat (plastic tub that is shallow)

  • mould and deckle

  • felts

  • sponge

  • jeans that are 100% cotton (they must be 100%)

  • Check out this article for other paper making supplies you need!

How to make paper out of jeans, denim pulp by Jackie Partridge

The Process for Making Paper out of Recycled Denim

Denim Doily -Medium
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You can make paper with found denim as long as the fibres are 100% cotton. In order to make paper out of fabric the fibres need to be natural and not include synthetic fibres. Now a days it can be hard to find blue jeans like that!

Above is an image from the paper making process —> turning denim —> tiny strands of thread —> to pulp —> to paper


Steps for Paper Making with Recycled Blue Jeans:

In order to make the denim paper the blue jeans must be collected rinsed with water (this removes the laundry detergent so the pulp isn’t foamy) and cut into tiny 1cmx 1cm squares. I sort my denim by shade of blue jeans this will get you different blues in your paper. You will have to rinse the jeans in the washing machine with no detergent for a couple cycles to remove any soap residue. If you don’t properly wash the denim you will get lots of foam and bubbles when you run them through the hollander beater. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

After the pulp is beaten down to tiny threads (taking around 4 hours or longer). The longer you beat the denim pulp the less threads appear in the paper. The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper. You will scoop the recycled blue jean denim pulp with a mould and deckle in the vat of water and pull a sheet. Then remove the top mould and press the screen on sheets of felt squeezing out excess water. You can also press down with a dry sponge. Layer a felt of the wet sheets of paper. Then place the stack of felts and blue jean paper in a press to squeeze out extra water. Remove sheets of paper and dry them by hanging or in a flat dryer. It will take over 24 hours to dry.

A handful of denim pulp

A handful of denim pulp

Here is abaca paper mixed with denim pulp in a mould and deckle (this forms the shape of the paper)

Here is abaca paper mixed with denim pulp in a mould and deckle (this forms the shape of the paper)

Leftover pulp dries and water can be added to make it pulp again!

Leftover pulp dries and water can be added to make it pulp again!

Denim Paper-Light and Dark Blue
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Sediment -Art Installation by Jackie Partridge

Sediment art installation by Jackie Partridge was started in 2017. I started paper making in 2015 where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes look at a current project and learn about the process of paper making below!

Sediment is an ongoing art installation since 2017 where I form sheets of handmade paper with blue jeans from my grandfather. Currently there are about 300 pieces of handmade paper.

Sediment art installation with blue denim handmade paper by Jackie Partridge

My grandfather is a retired farmer who sold the family owned century farm in 2012.

The paper acts as a memory and are stacked on the floor like waves in the water.

This piece is inspired by the artwork Remnants that also used old farming clothes belonging to my grandfather.

Learn how to make paper out of denim here! This explains the process for making this artwork.

Sediment art installation by Jackie Partridge made of 300 sheets of handmade denim paper

In order to make the denim paper the blue jeans must be collected rinsed with water and cut into tiny 1”x1” squares. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

The paper making process- denim pulp

The paper making process- denim pulp

After the pulp is beaten down to tiny threads (taking around 4 hours or longer) The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper.

This is the mould and deckle used to create the circle sheets of paper

This is the mould and deckle used to create the circle sheets of paper

Marbled Denim Paper
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I invite you to take a look at the handmade paper I sell in my shop. Check out my beautiful handmade paper art here!

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Pocket Full of Sunshine
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Group Exhibition at the O Gallery, 2020


Check out a group exhibition for artist Jackie Partridge. To see my textile artwork and handmade paper art.


I am excited to announce that I am a part of a group of two other artists showing exhibitions at the O Gallery on 44 Gaukel St. in Kitchener, ON, Canada.

Brown Field 5
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I will be showing work I have curated for a theme of Fields. This work includes past work of my hand dyed, hand embroidered dish cloths that are beautifully framed and work of my sewn thread line drawings embedded in abaca sheets of handmade paper that are for sale.

Fields is an abstract representation of aerial views of farmlands. I have grown up close to farming and fields and have visually seen the landscape change over time and become more developed.

The exhibition is on view from January 15-March 6, 2020.

See a related artwork inspired from the exhibition here!

hand embroidered and hand dyed dish cloth by Jackie Partridge

To stay connected and learn about upcoming art exhibitions -please follow me on Facebook or Instagram. You can click the icons below!

 

Red and Yellow Field
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Fielding Through- Painted Drawing with Ink by Jackie Partridge

Fielding Through by Jackie Partridge

22’x12,”  ink and acrylic fluids on Mylar, 2016

Fielding Through is an accordion style book that stretches out creating a long continuous 22' field. Each drawing of the field is painted abstractly with coloured ink and fluid acrylics by Golden. The work was inspired by my hometown Wellesley, ON and the continuous views of farmlands that blur as the car drives past all the fields.

This artwork is inspired by my family heritage of farming. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm. This piece highlights the beauty of the landscape and how expansive it is. I chose bright and vibrant colours to highlight the beauty. Fields, nature and landscapes are common inspiration for my artwork and art installations.

I love using Golden Acrylic Fluids because there is less of a water concentration and it is more of a pure pigment so the colours are a lot more bright and vibrant. I started painting with inks on sheer, transparent fabric during my undergraduate degree at Lakehead University. I started painting on mylar which is a transparent plastic type paper during my Master of Fine Arts degree at Concordia University. I like the way the colours dry and layer on top of each other creating rings of colour and interesting lines. Since the mylar paper is transparent you can also see layers of the coloured washes from the previous pages in the book. 

This piece is inspired by my work Field of Green, which is a large painted field on sheer white fabric with painted fields on large sheets of mylar that are pinned to the wall. The fabric drapes away from the wall. 


Follow me on Instagram @jackiepartridge_ to see my current artwork. 

Check out my art shop to purchase my art here!

Fielding Through, ink drawing on frosted mylar by Jackie Partridge

To see current work -check it out here! Follow me on Social Media by clicking on one of the icons below to stay connected!

Ink Drawing on mylar paper by Jackie Partridge
Fielding Through, Ink drawing on mylar, abstract design by Jackie Partridge