All About the Women’s Studio Workshop in NY

In March 2018, I attended the Women's Studio Workshop Residency in NY. (The small town of Rosendale to be exact).  I stayed for 5 weeks at the Women’s Studio Workshop. I got to experience part of the winter and part of the spring at the Women’s Studio Workshop. The Women’s Studio Workshop in NY was founded in 1974. I was in the paper making studio at the Women’s Studio Workshop in NY.

Coming from a small town, I really enjoyed the small community of Rosendale. I felt very safe and welcomed while at the residency, in town or on the Rail Trail nearby.  Read more to figure out if attending the Women’s Studio Workshop in NY as your next artist residency is right for you!

About Women’s Studio Workshop in NY

Women’s Studio Workshop in NY was founded in 1974 by Ann Kalmbach, Tatana Kellner, Anita Wetzel, and Barbara Leoff Burge. Their goals were to develop a studio workspace for artists to create new work and collaborate. Programs were centered on the artistic process. The first studios were in a two-story single-family home. Etching was in the living room, paper making was in the attic, and screen printing was in the basement.

This passage is from their website - To read more- click here


The Rail Trail at the Women’s Studio Workshop

I was working in the paper making studio while I was there. I really enjoyed hiking in the area, especially on the Rail Trail. While on the Rail Trail I did numerous Patched installations using my handmade map paper. The Rail Trail is very close to the residency and is a great source of inspiration to artists there including myself! 

Patched is an ongoing installation since 2017 by artist Jackie Partridge that uses handmade map paper pulp on trees where the bark has naturally peeled away.

Patched is an ongoing installation since 2017 by artist Jackie Partridge that uses handmade map paper pulp on trees where the bark has naturally peeled away.

At the Women’s Studio Workshop residency when I was there I made a lot of paper working with maps and blue jeans. I took advantage of the hollander beater and worked on my piece Sediment. You can learn more about the project here! 


I got to try the vacuum table for the first time which was very exciting for my practice. I worked on creating large sheets of map paper on the vacuum table which I used in my Patched video. See the installation of this large sheet of handmade map paper below:

Highlights of the Women’s Studio Workshop in NY

I loved the Women’s Studio Workshop because the staff are very helpful and kind whether it is showing you how to use equipment or giving you a ride into to town to get groceries. I liked how every lunch we had a potluck so we could really get to know one another.

What I Love About Artist Residencies

I am always highly focused and productive while on an artist residency. It is nice to be in a new place and see how that relationship directly impacts my work. Since my work is directly related to the land and environment there is always new inspiration, ideas, and projects when I am in a new place. This is always exciting for me! Residencies give you time, space and materials to explore and practice with. New ideas always form when I am away from home!

What I Did at the Women’s Studio Workshop in NY

  • I had an opportunity to present my art in an artist talk while I was there to people at the residency and locals in the Rosendale area

  • I submitted a piece of art I made as part of their alumni collection

  • I met other artists and learned new techniques like the vacuum table

  • I explored the local scene and enjoyed the Rail Trail 

Patched installation made on the Rail Trail at the Women’s Studio Workshop in NY

Patched installation made on the Rail Trail at the Women’s Studio Workshop in NY

Accommodations at the Women’s Studio Workshop

I stayed with another person and we shared a bathroom and kitchen but had separate bedrooms. Bedding was included. Kitchen utensils and equipment were included. The price for the residency is highly affordable and their are options for grants from the residency or to apply for funding externally. 

I would definitely go back to this artist residency again! 


How You Can Go to the Women’s Studio Workshop in NY

Check out their calendar on dates of when you can apply to their upcoming programs and classes! https://wsworkshop.org/opportunity-calendar/


I would highly recommend this residency to all the artists out there!

Related Articles

 Read about my artist profile on their webpage

Read my interview about my residency here!

Learn about the Patched Project Here!

Purchase my Patched Book -here!

Learn about the Women’s Studio Workshop Here!

Here is another great website to help you find the right artist residency for you! https://resartis.org/covid-19-updates/

Read about my artist residency at the Vermont Studio Center!

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Clouds Installation

Clouds is an installation of 150 found  doilies by Jackie Partridge that have been embedded with poured abaca pulp. This installation was created in 2016 while I was studying my Master of Fine Arts at Concordia University in Montreal.

I experimented with this installation by testing out different lighting and playing with different perspectives and camera angles when documenting this installation. This installation took over 4 hours to complete. 

Next time I would present this work I would create pillows on the floor to invite viewers to lay down and look up at the clouds. 

I created this work with found doilies and I poured on abace pulp. I placed the doilies in the paper press to squeeze out the extra water. Then I let them dry flat for 24 hours. I hung the doilies with different lengths of thread attached to rods on the ceiling. I would love to continue to create thousands of these and hang them in a larger venue. 

Doilies are a symbol of history and domesticity. I see them as floating ghosts of all the grandmothers I grew up with when I was younger. When I was born I had 8 grandmothers including great-grandmothers and great-great grandmothers. Each doily is special and unique. Some are colourful and others are plain. Some are intricate and detailed and some are simple and plain.


The floating doilies were hung with thread cut at various lengths to look like floating clouds in the sky.



These are made with vintage doilies collected from thrift stores, garage sales and my grandmothers.



There are still pieces available from this installation in my art shop - you can check them out here! 


These vintage crochet doilies look beautiful framed in a white or wooden frame! 

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Paper Making with Recycled Blue Jeans

Paper making with recycled blue jeans is a time consuming process but it also a rewarding process. I love being sustainable in my art practice and using recycled blue jeans to make paper is exciting! I will show you how to make paper with recycled blue jeans in this post! I started paper making in 2015, where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes about the process of paper making below!

How to Make Paper Out of Recycled Blue Jeans -What You Need

  • a hollander beater

  • water

  • a vat (plastic tub that is shallow)

  • mould and deckle

  • felts

  • sponge

  • jeans that are 100% cotton (they must be 100%)

  • Check out this article for other paper making supplies you need!

How to make paper out of jeans, denim pulp by Jackie Partridge

The Process for Making Paper out of Recycled Denim

Denim Doily -Medium
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You can make paper with found denim as long as the fibres are 100% cotton. In order to make paper out of fabric the fibres need to be natural and not include synthetic fibres. Now a days it can be hard to find blue jeans like that!

Above is an image from the paper making process —> turning denim —> tiny strands of thread —> to pulp —> to paper


Steps for Paper Making with Recycled Blue Jeans:

In order to make the denim paper the blue jeans must be collected rinsed with water (this removes the laundry detergent so the pulp isn’t foamy) and cut into tiny 1cmx 1cm squares. I sort my denim by shade of blue jeans this will get you different blues in your paper. You will have to rinse the jeans in the washing machine with no detergent for a couple cycles to remove any soap residue. If you don’t properly wash the denim you will get lots of foam and bubbles when you run them through the hollander beater. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

After the pulp is beaten down to tiny threads (taking around 4 hours or longer). The longer you beat the denim pulp the less threads appear in the paper. The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper. You will scoop the recycled blue jean denim pulp with a mould and deckle in the vat of water and pull a sheet. Then remove the top mould and press the screen on sheets of felt squeezing out excess water. You can also press down with a dry sponge. Layer a felt of the wet sheets of paper. Then place the stack of felts and blue jean paper in a press to squeeze out extra water. Remove sheets of paper and dry them by hanging or in a flat dryer. It will take over 24 hours to dry.

A handful of denim pulp

A handful of denim pulp

Here is abaca paper mixed with denim pulp in a mould and deckle (this forms the shape of the paper)

Here is abaca paper mixed with denim pulp in a mould and deckle (this forms the shape of the paper)

Leftover pulp dries and water can be added to make it pulp again!

Leftover pulp dries and water can be added to make it pulp again!

Denim Paper-Light and Dark Blue
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Marbled Denim Paper
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Sediment -Art Installation by Jackie Partridge

Sediment art installation by Jackie Partridge was started in 2017. I started paper making in 2015 where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes look at a current project and learn about the process of paper making below!

Sediment is an ongoing art installation since 2017 where I form sheets of handmade paper with blue jeans from my grandfather. Currently there are about 300 pieces of handmade paper.

Sediment art installation with blue denim handmade paper by Jackie Partridge

My grandfather is a retired farmer who sold the family owned century farm in 2012.

The paper acts as a memory and are stacked on the floor like waves in the water.

This piece is inspired by the artwork Remnants that also used old farming clothes belonging to my grandfather.

Learn how to make paper out of denim here! This explains the process for making this artwork.

Sediment art installation by Jackie Partridge made of 300 sheets of handmade denim paper

In order to make the denim paper the blue jeans must be collected rinsed with water and cut into tiny 1”x1” squares. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

The paper making process- denim pulp

The paper making process- denim pulp

After the pulp is beaten down to tiny threads (taking around 4 hours or longer) The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper.

This is the mould and deckle used to create the circle sheets of paper

This is the mould and deckle used to create the circle sheets of paper

Marbled Denim Paper
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I invite you to take a look at the handmade paper I sell in my shop. Check out my beautiful handmade paper art here!

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Pocket Full of Sunshine
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