Fields -Mirror Installation by Jackie Partridge

Fields is made from colourful sewn thread and flax handmade paper. It measures 18’x 3.5.’ I made this work in 2015 while completing my MFA at Concordia university in Montreal, QC. 

I created this artwork by sewing on a dissolvable fabric and layering different colours of thread. Sometimes, I would have a different colour in the bobbin and a different colour in the tread. I sewed in a back and forth manner to resemble the repetitive motion of planting and harvesting crops in fields. After sewing, I dissolved the fabric and took the pieces to the paper making studio where I squeezed flax pulp through a tube in patches of the sewing. Once I was done applying the pulp I put the artwork through the paper press to squeeze out excess water as part of the paper making process. Then I let the artwork dry flat; it took about 24 hours to dry. There are about 10 separate panels of this artwork in total. 

The pieces of this art installation are quite delicate and fragile. I suspended them with thread that tied onto the individual pieces. 

Usually this installation is hung against the wall but in this installation from 2017, I got to hang this textile artwork in front of the mirror. I loved how the thread was reflected and looked like a long continuous line drawing. When the artwork hangs against the wall it does create some really beautiful shadows.I would love to add to this piece and make it larger in the future. 

You can see the original installation of this piece - here!

Detail of Fields installation

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1963-1974- Artwork by Jackie Partridge

This is an older work from 2015 called 1963-1974 by Jackie Partridge. The artwork is less than 2’ by 2’.  I completed this artwork during my undergraduate degree at Lakehead University. I created it as part of my art portfolio when I was applying to my Master of Fine Arts at Concordia University in the Fibres and Material Practices Program. 

Polaroids and machine sewing - form a patchwork quilt of memories with old family photos. The photographs are arranged by colour to help the chevron pattern emerge. My grandmother was sorting through family photos and gave me a collection of photographs. I asked if I could cut them and turn them into an artwork and she said yes. There’s something weird about cutting up family photographs and replacing a part of them to form a new memory. I sewed the photographs with a zig zag stitch on my sewing machine in white thread.

Polaroids are such a nostalgic medium and have become trendy again. Working with this medium of found Polaroids really speaks to the time period and the moment that captured the photograph. I love the colours from the pictures and how they have faded over time. Some of the photographs even have my grandmother’s handwriting on the bottom of them. 

I am very interested in quilts, sewing and textile art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. The craft of quilting and sewing are very important to my family heritage and to myself. 

You can see the detail of 1963-1974 below!

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Sewn Polaroids by Jackie Partridge

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Conceal - Art Installation by Jackie Partridge

Conceal is a project that was inspired my a previous work Trapped this work is from 2017 by artist Jackie Partridge.  In the installation below I use the same hand dyed and hand embroidered dishcloth quilt from Trapped. The dishcloth quilt is made to resemble an aerial view of farmlands. Farming runs in my family as both sets of grandparents and great-grandparents owned farms. I grew up in Wellesley, Ontario, a small town surrounded by farmlands. I watched the land over time develop into subdivision after subdivision. This artwork became symbolic for concealing or covering, protecting and hiding the land. The dishcloths are dyed with inks and acrylic fluids with bright colours of greens, browns, yellows, oranges and pinks to represent the colours and beauty of farm fields. I really wanted to highlight the beauty and vibrancy of the landscape.

I am interested in quilts and fibre art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. So the craft of embroidery and sewing are very important to my family heritage. 

With my art practice I often reuse elements and photograph different artwork outside to change and transform the context of the work itself. I see my art evolving and transforming through time similar to how the landscape is in a constant state of change.

This quilt inspired artwork is draped over rocks at my grandmother’s house in Kinmount, ON. Their property is a special place where I enjoy spending my summer. I find being in nature to be a very inspiring place for my work and me as an artist. Photographed by me in summer 2017.

I see the quilt as a symbol of protection, warmth and comfort. Like most quilts are. 

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Trapped -Art Installation by Jackie Partridge

Trapped is an art installation from 2016 by Jackie Partridge that I completed during my MFA. In this installation I hand dyed and hand embroidered dishcloths and sewed them together as a large quilt. I want the quilt to be seen as an aerial view of farmlands. 

Above the quilt drapes a large sewn thread installation -made from white thread. The sewn piece is stitched on a dissolvable surface. The sewn structure mimics that shape of my hometown as viewed from a map and inside the shape are rows and rows of a basic symbol of a house shape. 

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View the art project Conceal- inspired by this piece!

Detail of sewn net, part of Trapped installation by Jackie Partridge

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A Needle in a Haystack - Textile Art Installation by Jackie Partridge

A Needle in a Haystack by Jackie Partridge

wall piece: 4.5'x 4 floor piece 3.3'x 3', found fabric, sewing, 2015-2016

Braided strips of found fabric create an abstracted hay bale referencing the traditional rag rug. The two hay bales are attached together with a long braid like umbilical cord connecting generations.  This textile artwork was created by Jackie Partridge in 2015-2016 while I was completing my MFA at Concordia University.

This artwork is inspired by my family heritage of farming and my matriarchal line. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm.

Growing up, I had 8 grandmothers including great-grandmothers and great-great grandmothers. My matriarchal line was very skilled in sewing, embroidery, knitting and crochet which really inspired me to pursue textile art and study it during my MFA.

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Trapped- textile art installation with hand dyed and hand embroidered dish cloths

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