Grand National Fibres Exhibition



I currently have my art Remnants featured in the Grand National Fibres Exhibition. This is a textile art exhibition where 36 other artists are participating. This was a juried exhibition organized by Thelma Newbury and my art Remnants was one of the pieces selected in the Grand National Fibres Exhibition. This exhibition will be touring to four different provinces in Canada from 2024-2025.


The Grand National Fibres Exhibition is a yearly exhibition that has a different theme each year. 

2024 - 'DELIGHTS'

After the last few years it is time to have some fun.
Every one of us has pleasures in our lives.
What delights you?
What makes you happy, joyous and cheerful?
What lifts your heart?


The exhibition was juried by juried by Deb Fong, Marie E. Maltais and Judy Weiss.

Here is the exhibition statement: 

Exhibition Statement

 After these past years of cancelled trips, isolation and basically life on hold, we are ready for some fun. Every one of us has pleasures in our lives. What delights you? What makes you happy, joyous and cheerful? What lifts your heart? We asked the fibre artists of Canada to share their ‘Delights’ with us.

          

This juried exhibition consists of the works of 37 Canadian professional fibre artists from across Canada, each expressing a particular delight that has great meaning to them, resulting in a diverse range of materials, techniques, ideas, concepts, and cheerful thoughts to get us all back on the path to living, having fun and enjoying the pleasures of life once again.

Photo credit: Thelma Newbury

This Grand National Fibres Exhibition will travel across Canada being displayed at four different art galleries. 


I had to ship my artwork to the Kootenay art gallery in British Columbia by the beginning of June. When I was shipping my art I had to pack it carefully because the handmade denim paper is fragile. I also had to include installation, deinstallation and packing instructions since the art will be touring to four different art galleries. 



Grand National Fibres Exhibition Schedule:


When the exhibition concludes my art Remnants will be shipped back to my address. I am currently in the process of applying for grants to cover the cost of shipping my art across Canada to these various art exhibitions. 


To read more about my piece Remnants - you can click here. 





To learn more about the Grand National Fibres Exhibition/ textile art exhibition you can click here.



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Photo credit: Thelma Newbury

Fields -Mirror Installation by Jackie Partridge

Fields is made from colourful sewn thread and flax handmade paper. It measures 18’x 3.5.’ I made this work in 2015 while completing my MFA at Concordia university in Montreal, QC. 

I created this artwork by sewing on a dissolvable fabric and layering different colours of thread. Sometimes, I would have a different colour in the bobbin and a different colour in the tread. I sewed in a back and forth manner to resemble the repetitive motion of planting and harvesting crops in fields. After sewing, I dissolved the fabric and took the pieces to the paper making studio where I squeezed flax pulp through a tube in patches of the sewing. Once I was done applying the pulp I put the artwork through the paper press to squeeze out excess water as part of the paper making process. Then I let the artwork dry flat; it took about 24 hours to dry. There are about 10 separate panels of this artwork in total. 

The pieces of this art installation are quite delicate and fragile. I suspended them with thread that tied onto the individual pieces. 

Usually this installation is hung against the wall but in this installation from 2017, I got to hang this textile artwork in front of the mirror. I loved how the thread was reflected and looked like a long continuous line drawing. When the artwork hangs against the wall it does create some really beautiful shadows.I would love to add to this piece and make it larger in the future. 

You can see the original installation of this piece - here!

Jackie Partridge and Fields thread with handmade paper installation
Detail of Fields installation

Detail of Fields installation

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Trail - Arm Knitted Installation by Jackie Partridge

Trail detail by Jackie Partridge, arm-knitted lace strips

Trail detail by Jackie Partridge, arm-knitted lace strips

Trail by Jackie Partridge is a work from my art archive that I made while living in Montreal and going to school for my MFA. This fiber artwork is very performative as I used the knitting process to create it. The act of knitting is very repetitive and labour intensive. It is the same motion over and over again. Learn more about this textile artwork below!

Trail

1’x 20', found lace, sewing and arm knitting, 2016. 

The work was displayed at Ancienne École des Beaux Arts for the end of year MFA exhibition “Maureen” in 2016.

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Jackie-Partridge_Trail.jpg

This art installation is made by cutting long strips of found lace curtains. The strips of lace were sorted by colour from a yellow cream colour all the way to a pure white at the bottom of the piece. The colour created a nice gradient. The strips were then sewn together to create a very long strip that was then wrapped like a ball of yarn. This process was repeated twice. Like knitting, I used my arms as the “knitting needles” and continued to knit for over an hour to create this 20 foot long installation that was suspended from the top of the staircase. I knit continuously since I used my arms as the knitting needles.

When this piece is lit it produces some beautiful shadows from the design of the white lace. 

I have also displayed this textile artwork outside in the snow. You can see the photograph at the bottom. I liked draping it in the snow and seeing how it dragged across the snow. 

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Outdoor installation of Trail by Jackie Partridge in the snow

Outdoor installation of Trail by Jackie Partridge in the snow

Conceal - Art Installation by Jackie Partridge

Conceal is a project that was inspired my a previous work Trapped this work is from 2017 by artist Jackie Partridge.  In the installation below I use the same hand dyed and hand embroidered dishcloth quilt from Trapped. The dishcloth quilt is made to resemble an aerial view of farmlands. Farming runs in my family as both sets of grandparents and great-grandparents owned farms. I grew up in Wellesley, Ontario, a small town surrounded by farmlands. I watched the land over time develop into subdivision after subdivision. This artwork became symbolic for concealing or covering, protecting and hiding the land. The dishcloths are dyed with inks and acrylic fluids with bright colours of greens, browns, yellows, oranges and pinks to represent the colours and beauty of farm fields. I really wanted to highlight the beauty and vibrancy of the landscape.

I am interested in quilts and fibre art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. So the craft of embroidery and sewing are very important to my family heritage. 

With my art practice I often reuse elements and photograph different artwork outside to change and transform the context of the work itself. I see my art evolving and transforming through time similar to how the landscape is in a constant state of change.

This quilt inspired artwork is draped over rocks at my grandmother’s house in Kinmount, ON. Their property is a special place where I enjoy spending my summer. I find being in nature to be a very inspiring place for my work and me as an artist. Photographed by me in summer 2017.

I see the quilt as a symbol of protection, warmth and comfort. Like most quilts are. 

You can see my current art practice here!

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Conceal by Jackie Partridge
textile artwork outdoor installation by Jackie Partridge

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Trapped -Art Installation by Jackie Partridge

Trapped is an art installation from 2016 by Jackie Partridge that I completed during my MFA. In this installation I hand dyed and hand embroidered dishcloths and sewed them together as a large quilt. I want the quilt to be seen as an aerial view of farmlands. 

Above the quilt drapes a large sewn thread installation -made from white thread. The sewn piece is stitched on a dissolvable surface. The sewn structure mimics that shape of my hometown as viewed from a map and inside the shape are rows and rows of a basic symbol of a house shape. 

To see my current art - click here!

View the art project Conceal- inspired by this piece!

Trapped textile art installation with hand dyed and hand embroidered dish cloths with suspending sewn net by Jackie Partridge
Detail of sewn net, part of Trapped installation by Jackie Partridge

Detail of sewn net, part of Trapped installation by Jackie Partridge

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Group Exhibition at the O Gallery, 2020


Check out a group exhibition for artist Jackie Partridge. To see my textile artwork and handmade paper art.


I am excited to announce that I am a part of a group of two other artists showing exhibitions at the O Gallery on 44 Gaukel St. in Kitchener, ON, Canada.

Brown Field 5
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I will be showing work I have curated for a theme of Fields. This work includes past work of my hand dyed, hand embroidered dish cloths that are beautifully framed and work of my sewn thread line drawings embedded in abaca sheets of handmade paper that are for sale.

Fields is an abstract representation of aerial views of farmlands. I have grown up close to farming and fields and have visually seen the landscape change over time and become more developed.

The exhibition is on view from January 15-March 6, 2020.

See a related artwork inspired from the exhibition here!

hand embroidered and hand dyed dish cloth by Jackie Partridge

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Red and Yellow Field
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Field of Green - Art Installation by Jackie Partridge


Field of Green by Jackie Partridge

Photo Credit: Eliane Excoffier

Field of Green, ink and acrylic fluids on polyester with ink on Mylar, 2016 - by Jackie Partridge

The piece is approximately 19 feet long. The piece has sewn in magnets and it suspends slightly away from the wall resting on nails. I’m happy with how this installation turned out as it was quite complicated to plan and ensure that the fabric and magnets were evenly placed. It was difficult to install Field of Green. I completed this large and colourful artwork during my Master of Fine Arts at Concordia University while I was in the Fibres and Material Practices Program. 

I love using Golden Acrylic Fluids because there is less of a water concentration and it is more of a pure pigment so the colours are a lot more bright and vibrant. I started painting with inks on sheer, transparent fabric during my undergraduate degree at Lakehead University. I started painting on mylar which is a transparent plastic type paper during my Master of Fine Arts degree at Concordia University. I like the way the colours dry and layer on top of each other creating rings of colour and interesting lines.

When the ink is applied to the polyester it creates these abstract and organic forms. Layer after layer is applied. I love playing with transparency and layers and being able to see the painted mylar underneath the layer of sheer fabric. 

Field of Green, Ink on fabric textile art by Jackie Partridge

This artwork is inspired by my family heritage of farming and the countryside surrounding my hometown in Wellesley, ON. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm. The bright colours chosen highlight the beauty of the landscape and the vastness of the farmland that surrounds my hometown and where I grew up.

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Detail of Field of Green by Jackie Partridge

Detail of Field of Green by Jackie Partridge

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Ink drawing by Jackie Partridge

A Needle in a Haystack - Textile Art Installation by Jackie Partridge

A Needle in a Haystack by Jackie Partridge

wall piece: 4.5'x 4 floor piece 3.3'x 3', found fabric, sewing, 2015-2016

Braided strips of found fabric create an abstracted hay bale referencing the traditional rag rug. The two hay bales are attached together with a long braid like umbilical cord connecting generations.  This textile artwork was created by Jackie Partridge in 2015-2016 while I was completing my MFA at Concordia University.

This artwork is inspired by my family heritage of farming and my matriarchal line. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm.

Growing up, I had 8 grandmothers including great-grandmothers and great-great grandmothers. My matriarchal line was very skilled in sewing, embroidery, knitting and crochet which really inspired me to pursue textile art and study it during my MFA.

This is a piece of past artwork from the archive. To see my current artwork - click here!

Jackie Partridge art installation with sewn fabric fibre art
Jackie Partridge  Art, A Needle in a Haystack textile sewn fabric art installation
Needle in a haystack sewn textile art by Jackie Partridge

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