1963-1974- Artwork by Jackie Partridge

This is an older work from 2015 called 1963-1974 by Jackie Partridge. The artwork is less than 2’ by 2’.  I completed this artwork during my undergraduate degree at Lakehead University. I created it as part of my art portfolio when I was applying to my Master of Fine Arts at Concordia University in the Fibres and Material Practices Program. 

Polaroids and machine sewing - form a patchwork quilt of memories with old family photos. The photographs are arranged by colour to help the chevron pattern emerge. My grandmother was sorting through family photos and gave me a collection of photographs. I asked if I could cut them and turn them into an artwork and she said yes. There’s something weird about cutting up family photographs and replacing a part of them to form a new memory. I sewed the photographs with a zig zag stitch on my sewing machine in white thread.

Polaroids are such a nostalgic medium and have become trendy again. Working with this medium of found Polaroids really speaks to the time period and the moment that captured the photograph. I love the colours from the pictures and how they have faded over time. Some of the photographs even have my grandmother’s handwriting on the bottom of them. 

I am very interested in quilts, sewing and textile art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. The craft of quilting and sewing are very important to my family heritage and to myself. 

You can see the detail of 1963-1974 below!

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Sewn Polaroids by Jackie Partridge

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Conceal - Art Installation by Jackie Partridge

Conceal is a project that was inspired my a previous work Trapped this work is from 2017 by artist Jackie Partridge.  In the installation below I use the same hand dyed and hand embroidered dishcloth quilt from Trapped. The dishcloth quilt is made to resemble an aerial view of farmlands. Farming runs in my family as both sets of grandparents and great-grandparents owned farms. I grew up in Wellesley, Ontario, a small town surrounded by farmlands. I watched the land over time develop into subdivision after subdivision. This artwork became symbolic for concealing or covering, protecting and hiding the land. The dishcloths are dyed with inks and acrylic fluids with bright colours of greens, browns, yellows, oranges and pinks to represent the colours and beauty of farm fields. I really wanted to highlight the beauty and vibrancy of the landscape.

I am interested in quilts and fibre art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. So the craft of embroidery and sewing are very important to my family heritage. 

With my art practice I often reuse elements and photograph different artwork outside to change and transform the context of the work itself. I see my art evolving and transforming through time similar to how the landscape is in a constant state of change.

This quilt inspired artwork is draped over rocks at my grandmother’s house in Kinmount, ON. Their property is a special place where I enjoy spending my summer. I find being in nature to be a very inspiring place for my work and me as an artist. Photographed by me in summer 2017.

I see the quilt as a symbol of protection, warmth and comfort. Like most quilts are. 

You can see my current art practice here!

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